Rosy Rose

I had the wonderful opportunity to embark on a Global Experience (GEx) study trip to Bandung and Yogyakarta, Indonesia, with a professor and fellow students from NUS College. The study trip spanned one month (half a month in each city) and comprised visits to houses and studios of prominent local artists, hikes to notable landmarks of the areas, a street art biking tour, student consultations, and student-initiated trips. I was attracted to this study trip by the theme of creative city development. I have always been fascinated by the arts and the question of how we can use the arts to address the social problems in the city. That is a question that has intrigued me for a very long time, long before the trip. Whenever I read a book or observed a painting, I have always wondered if the arts can be more than a medium for self-expression. What if the arts were used as a form of non-verbal language to discuss and dissect social problems?

If you look up at the sky (during day). Would you see light, Or will you be blinded?

"The Tale of Kieu" has been a very familiar literary work to not just the Vietnamese, but also to people around the world. But have we stopped to wonder what makes people so hyped about "The Tale of Kieu", or is it just overrated? Well, in school, we are taught a great deal about literary devices: metonymy, metaphor, foreshadowing, anastrophe, and here the list goes. But I would argue that "The Tale of Kieu" offers an avenue to the interpretation of the meaning of life. When I was discussing with my friends the motif of adventure tales and fairy tales, it struck me that "The Tale of Kieu" does not follow such a motif, which appears weird because most of the tales go with a happy-forever-after ending for people who lead a noble life. I will not summarise the plot of the story, as it can be found on the Internet, so please go read it if you want to be familiar with the topic.